Separating Sheep from Goats investigates the history of collecting and exhibiting Chinese art through the lens of the career of renowned American curator and museum director Sherman E. Lee (1918–2008). Drawing upon artworks and archival materials, Noelle Giuffrida excavates an international society of collectors, dealers, curators, and scholars who constituted the art world in ...(展开全部)

Separating Sheep from Goats investigates the history of collecting and exhibiting Chinese art through the lens of the career of renowned American curator and museum director Sherman E. Lee (1918–2008). Drawing upon artworks and archival materials, Noelle Giuffrida excavates an international society of collectors, dealers, curators, and scholars who constituted the art world in ...(展开全部)

Much of twentieth-century design was animated by the creative tension of its essential duality: is design an art or a science? In the postwar era, American architects sought to calibrate architectural practice to evolving scientific knowledge about humans and environments, thus elevating the discipline's stature and enmeshing their work in a progressive restructuring of society...(展开全部)

Much of twentieth-century design was animated by the creative tension of its essential duality: is design an art or a science? In the postwar era, American architects sought to calibrate architectural practice to evolving scientific knowledge about humans and environments, thus elevating the discipline's stature and enmeshing their work in a progressive restructuring of society...(展开全部)

Cool. It was a new word and a new way to be, and in a single generation, it became the supreme compliment of American culture. The Origins of Cool in Postwar America uncovers the hidden history of this concept and its new set of codes that came to define a global attitude and style. As Joel Dinerstein reveals in this dynamic book, cool began as a stylish defiance of racism, a c...(展开全部)

巫鸿1963年入中央美术学院美术史系学习。1972-1978年任职于故宫博物院书画组、金石组。1978年重返中央美术学院美术史系攻读硕士学位。1980-1987年就读于哈佛大学，获美术史与人类学双重博士学位。随即在哈佛大学美术史系任教，于1994年获终身教授职位。受聘主持芝加哥大学亚洲艺术的教学、研究项目，执“斯德本特殊贡献教授”讲席。2002年建立东亚艺术研究中心并任主任。同年兼任该校斯马特美术馆顾问策展人。

巫鸿1963年入中央美术学院美术史系学习。1972-1978年任职于故宫博物院书画组、金石组。1978年重返中央美术学院美术史系攻读硕士学位。1980-1987年就读于哈佛大学，获美术史与人类学双重博士学位。随即在哈佛大学美术史系任教，于1994年获终身教授职位。受聘主持芝加哥大学亚洲艺术的教学、研究项目，执“斯德本特殊贡献教授”讲席。2002年建立东亚艺术研究中心并任主任。同年兼任该校斯马特美术馆顾问策展人。

巫鸿1963年入中央美术学院美术史系学习。1972-1978年任职于故宫博物院书画组、金石组。1978年重返中央美术学院美术史系攻读硕士学位。1980-1987年就读于哈佛大学，获美术史与人类学双重博士学位。随即在哈佛大学美术史系任教，于1994年获终身教授职位。受聘主持芝加哥大学亚洲艺术的教学、研究项目，执“斯德本特殊贡献教授”讲席。2002年建立东亚艺术研究中心并任主任。同年兼任该校斯马特美术馆顾问策展人。